{"id":3484,"date":"2020-08-09T19:32:31","date_gmt":"2020-08-09T16:32:31","guid":{"rendered":"https:\/\/ferruhtunc.org\/?page_id=3484"},"modified":"2024-03-11T22:16:16","modified_gmt":"2024-03-11T19:16:16","slug":"ne-dediler","status":"publish","type":"page","link":"https:\/\/ferruhtunc.org\/index.php\/ne-dediler\/","title":{"rendered":"Ne Dediler"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-page\" data-elementor-id=\"3484\" class=\"elementor elementor-3484\">\n\t\t\t\t\t\t\t<div class=\"elementor-element elementor-element-d58cf88 e-flex e-con-boxed e-con e-parent\" data-id=\"d58cf88\" data-element_type=\"container\" data-settings=\"{&quot;content_width&quot;:&quot;boxed&quot;}\" data-core-v316-plus=\"true\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-9adf06e elementor-widget elementor-widget-spacer\" data-id=\"9adf06e\" data-element_type=\"widget\" data-widget_type=\"spacer.default\">\n\t\t\t\t<div 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*\/\n.elementor-heading-title{padding:0;margin:0;line-height:1}.elementor-widget-heading .elementor-heading-title[class*=elementor-size-]>a{color:inherit;font-size:inherit;line-height:inherit}.elementor-widget-heading .elementor-heading-title.elementor-size-small{font-size:15px}.elementor-widget-heading .elementor-heading-title.elementor-size-medium{font-size:19px}.elementor-widget-heading .elementor-heading-title.elementor-size-large{font-size:29px}.elementor-widget-heading .elementor-heading-title.elementor-size-xl{font-size:39px}.elementor-widget-heading .elementor-heading-title.elementor-size-xxl{font-size:59px}<\/style><h2 class=\"elementor-heading-title elementor-size-default\">Ne Dediler<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-94abce9 e-flex e-con-boxed e-con e-parent\" data-id=\"94abce9\" data-element_type=\"container\" data-settings=\"{&quot;content_width&quot;:&quot;boxed&quot;}\" 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.elementor-tabs-wrapper{justify-content:flex-end}.elementor-widget-tabs.elementor-tabs-alignment-stretch.elementor-tabs-view-horizontal .elementor-tab-title{width:100%}.elementor-widget-tabs.elementor-tabs-alignment-stretch.elementor-tabs-view-vertical .elementor-tab-title{height:100%}.elementor-tabs .elementor-tab-mobile-title{display:none}}<\/style>\t\t<div class=\"elementor-tabs\">\n\t\t\t<div class=\"elementor-tabs-wrapper\" role=\"tablist\" >\n\t\t\t\t\t\t\t\t\t<div id=\"elementor-tab-title-1441\" class=\"elementor-tab-title elementor-tab-desktop-title\" aria-selected=\"true\" data-tab=\"1\" role=\"tab\" tabindex=\"0\" aria-controls=\"elementor-tab-content-1441\" aria-expanded=\"false\">B\u0130R C\u00dcMLE OLMAYA GELD\u0130M<\/div>\n\t\t\t\t\t\t\t\t\t<div id=\"elementor-tab-title-1442\" class=\"elementor-tab-title elementor-tab-desktop-title\" aria-selected=\"false\" data-tab=\"2\" role=\"tab\" tabindex=\"-1\" aria-controls=\"elementor-tab-content-1442\" aria-expanded=\"false\">TUN\u00c7 AYNA<\/div>\n\t\t\t\t\t\t\t\t\t<div id=\"elementor-tab-title-1443\" class=\"elementor-tab-title elementor-tab-desktop-title\" aria-selected=\"false\" data-tab=\"3\" role=\"tab\" tabindex=\"-1\" aria-controls=\"elementor-tab-content-1443\" aria-expanded=\"false\">MELEZ ZAMANLAR<\/div>\n\t\t\t\t\t\t\t\t\t<div id=\"elementor-tab-title-1444\" class=\"elementor-tab-title elementor-tab-desktop-title\" aria-selected=\"false\" data-tab=\"4\" role=\"tab\" tabindex=\"-1\" aria-controls=\"elementor-tab-content-1444\" aria-expanded=\"false\">\u015eEHR\u0130N ESK\u0130 YOLCUSU<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t<div class=\"elementor-tabs-content-wrapper\" role=\"tablist\" aria-orientation=\"vertical\">\n\t\t\t\t\t\t\t\t\t<div class=\"elementor-tab-title elementor-tab-mobile-title\" aria-selected=\"true\" data-tab=\"1\" role=\"tab\" tabindex=\"0\" aria-controls=\"elementor-tab-content-1441\" aria-expanded=\"false\">B\u0130R C\u00dcMLE OLMAYA GELD\u0130M<\/div>\n\t\t\t\t\t<div id=\"elementor-tab-content-1441\" class=\"elementor-tab-content elementor-clearfix\" data-tab=\"1\" role=\"tabpanel\" aria-labelledby=\"elementor-tab-title-1441\" tabindex=\"0\" hidden=\"false\"><h5><strong>AHMET TELL\u0130:<\/strong><\/h5><p><strong>\u00d6zg\u00fcn olmaktan taviz vermeyen, zaman ve mek\u00e2n aray\u0131\u015f\u0131 ile yerli ama evrensel; yeni bir caz duygusu<\/strong><\/p><p>\u201cFerruh TUN\u00c7\u2019un \u015fiirleri, yal\u0131n bir yakla\u015f\u0131mla uygarl\u0131k ve benlik anlay\u0131\u015f\u0131na yaslan\u0131r. Bu aray\u0131\u015f, kurumlar\u0131n, de\u011ferlerin ve be\u011fenilerin \u00e7\u00f6z\u00fcld\u00fc\u011f\u00fc, birbirine kar\u0131\u015ft\u0131\u011f\u0131 ve fakat yeni olan\u0131n apa\u00e7\u0131k belirginle\u015fmedi\u011fi bir ge\u00e7i\u015f zaman\u0131nda (onun deyi\u015fiyle <em>melez zamanlarda<\/em>) ger\u00e7ekle\u015fiyor. Uygarl\u0131k ve benlik aray\u0131\u015f\u0131, Bir C\u00fcmle Olmaya Geldim\u2019de daha da \u00f6ne \u00e7\u0131k\u0131yor. Ard\u0131\u015f\u0131k okunan Flamenko, Fado, Ya Leyl ve Uzun Hava b\u00f6l\u00fcmlerinde \u00f6zellikle lirik olmaktan ka\u00e7\u0131nan ama yine de oradan s\u00f6z alan \u015fair, yak\u0131nl\u0131\u011f\u0131n uzakl\u0131\u011fa, benzerli\u011fin ba\u015fkal\u0131\u011fa olan varl\u0131k borcunun ay\u0131rd\u0131ndad\u0131r. Aray\u0131\u015flar\u0131, antik kentlerde, m\u00fczelerde, eve d\u00f6n\u00fc\u015f yollar\u0131nda zaman\u0131n par\u00e7alanm\u0131\u015fl\u0131\u011f\u0131n\u0131 sa\u011falt\u0131p; yitik mekanlar\u0131 yeniden bularak bir \u015fekilde bize ait k\u0131l\u0131nmas\u0131n\u0131n \u00e7abalar\u0131 olarak da okuyabiliriz. \u00d6nceki kitaplar\u0131yla Ceyhun Atuf Kansu, Beh\u00e7et Aysan ve Beh\u00e7et Necatigil \u015fiir \u00f6d\u00fcllerini alan Ferruh TUN\u00c7, e\u011filimini ve ele\u015ftirel mesafesini sezgisel akl\u0131n s\u00fczgecinden ge\u00e7irerek ortaya koyuyor. Bu \u00e7abas\u0131n\u0131n \u015fiir dilinin ve olanaklar\u0131n\u0131n vaaz, reklam ve propaganda dili taraf\u0131ndan ele ge\u00e7irilmesine kar\u015f\u0131 bir duru\u015f olarak belirliyor.<\/p><p><em>Bir C\u00fcmle Olmaya Geldim, <\/em>benim a\u00e7\u0131mdan \u00f6zg\u00fcn olmaktan taviz vermeyen, zaman ve mekan aray\u0131\u015f\u0131 ile yerli ama evrensel; yeni bir caz duygusudur.\u201d <em>Kitap arka kapak yaz\u0131s\u0131<\/em><\/p><h5><strong>ERG\u00dcL \u00c7ET\u0130N:<\/strong><\/h5><p><strong>\u00d6zg\u00fcn, tutumlu, etkili\u2026<\/strong><\/p><p>\u201cFerruh TUN\u00c7, \u00f6zg\u00fcn, tutumlu, etkili \u015fiir dili ve s\u00f6yleyi\u015fiyle, okurun belle\u011finde, ruhunda, an\u0131lar\u0131n, d\u00fc\u015flerin, birikimlerin harekete ge\u00e7irilmesini sa\u011flayacak hassas noktalar\u0131 biliyor, oraya dokunuyor, onu ve ard\u0131ndaki gizil g\u00fcc\u00fc harekete ge\u00e7iriyor\u2026Ayr\u0131 dillerde, ayr\u0131 \u00fclkelerde olsa bile ayn\u0131 benlik duygusuyla hareket edebilir insan. Bu \u00e7er\u00e7evede Ferruh TUN\u00c7 \u015fiirinin, istilac\u0131, barbar uygarl\u0131\u011f\u0131n kar\u015f\u0131s\u0131na \u201ckimli\u011fi\u201d de\u011fil \u201cbenli\u011fi\u201d \u00e7\u0131karmas\u0131, onun dile getirdi\u011fi \u015feyi daha soyut ancak daha ger\u00e7ek, somut ama daha dokunulmaz, anla\u015f\u0131labilir fakat yakalanamaz, belki tarif edilebilse de mahk\u00fbm edilemez, insanl\u0131k hakk\u0131 gibi ku\u015fat\u0131lamaz, s\u0131k\u0131\u015ft\u0131r\u0131lamaz, teslim al\u0131namaz k\u0131lar. \u201c <em>Notos<\/em><\/p><\/div>\n\t\t\t\t\t\t\t\t\t<div class=\"elementor-tab-title elementor-tab-mobile-title\" aria-selected=\"false\" data-tab=\"2\" role=\"tab\" tabindex=\"-1\" aria-controls=\"elementor-tab-content-1442\" aria-expanded=\"false\">TUN\u00c7 AYNA<\/div>\n\t\t\t\t\t<div id=\"elementor-tab-content-1442\" class=\"elementor-tab-content elementor-clearfix\" data-tab=\"2\" role=\"tabpanel\" aria-labelledby=\"elementor-tab-title-1442\" tabindex=\"0\" hidden=\"hidden\"><h5><strong>AHMET TELL\u0130: <\/strong><\/h5><p><strong>\u015eairinin geni\u015f atlas\u0131 ve \u015fiirimizin geli\u015fkinli\u011fini g\u00f6steriyor<\/strong><\/p><p>\u201cOtanti\u011fi ararkenkazan\u0131m\u0131\u015f fakat zamanla eprimi\u015f s\u00f6z de\u011ferleriyle kar\u015f\u0131la\u015f\u0131yor ve onlar\u0131n p\u0131r\u0131lt\u0131s\u0131n\u0131 cesaretle \u015fiirine sindiriyor Ferruh Tun\u00e7. \u015fiirimizde \u00e7ok nadir \u015fairin g\u00f6ze ald\u0131\u011f\u0131 bu vadideki yolculu\u011funu hamasete d\u00fc\u015fmeden s\u00fcrd\u00fcr\u00fcyor. Tun\u00e7 ve ayna metaforlar\u0131, izleklerden (\u015fairin ad\u0131ndan da) \u00f6t\u00fcr\u00fc, Kitaba Tun\u00e7 Ayna olarak ad oluyor ki, kitap bu ad\u0131 hak ediyor diye d\u00fc\u015f\u00fcn\u00fcyorum. Ferruh Tun\u00e7\u2019un Tun\u00e7 Ayna\u2019s\u0131,\u015fairinin geni\u015f atlas\u0131n\u0131ve \u015fiirimizin geli\u015fkinli\u011fini g\u00f6steriyor.\u201d <em>Kitap arka kapak yaz\u0131s\u0131<\/em><\/p><h5><strong>\u00c7A\u011eLAYAN \u00c7EV\u0130K:<\/strong><\/h5><p><strong>H\u00fcz\u00fcn, erotizm, tarih ve \u015fiir gelene\u011fine ola\u011fan\u00fcst\u00fc hakimiyet sinmi\u015f \u015fiirler.<\/strong><\/p><p>\u201cG\u00fcn\u00fcm\u00fcz\u00fcn iyi \u015fairlerinden Ferruh Tun\u00e7. \u015eiirleri hem birikim ister hem d eokur oalrak emek vermeniz gerekir, tam n\u00fcfuz edebilmek i\u00e7in. Ama g\u00f6z\u00fcn\u00fcz korkmas\u0131n. \u015eairaneliklerin dizildi\u011fi oyunbaz m\u0131sralar de\u011filler. Bir kuyumcu titizli\u011fiyle i\u015fler \u015fiirlerini. Hi\u00e7 umulmad\u0131k m\u0131sralardaustalara g\u00f6ndermeler, gizli mazmunalr, imgeler yatar. Hepsi birer havai fi\u015fek. Cevheri bol bir maden yata\u011f\u0131 gibidir \u015fiirleri.Okuduk\u00e7a m\u0131sralar\u0131ndan bir \u015feyler f\u0131\u015fk\u0131r\u0131r. Lirizmi ve ironiyi kol kola g\u00f6r\u00fcrs\u00fcn\u00fcz \u015fiirlerinde.Bu sayede izini yitirmi\u015f \u015fiirle, gatr\u0131resmiymi\u015f gib g\u00f6r\u00fcnen resmiyetle alay eder. Necatigil \u00d6d\u00fcl\u00fc\u2019n\u00fc kazanan bir \u00f6nceki kitab\u0131 \u2018Melez Zamanlar\u2019la yak\u0131n d\u00f6nemlerin \u015fiirleri bir araya getirmi\u015f. Taban tabana farkl\u0131 olamasa da de\u011fi\u015fik bir perdededn sesleniyor bu kez. Ve \u00e7\u0131ta biraz daha y\u00fckseliyor. \u201cG\u00fcn d\u00f6nd\u00fc, g\u00f6lgeler iniyor \u00fcst\u00fcm\u00fcze bir oyun gibi\u201d, m\u0131sras\u0131ndaki g\u00fcler y\u00fczl\u00fc h\u00fcz\u00fcn, \u201cEy tiran, s\u0131f\u0131r\u0131 ke\u015ffet!\u201d m\u0131sras\u0131ndaki isyan art\u0131k kolay bulunmuyor \u015fiirimizde. \u015eiirlerin tamam\u0131 demek istedi\u011fimi daha iyi a\u00e7\u0131klar. H\u00fcz\u00fcn, erotizm, tarih ve \u015fiir gelene\u011fine ola\u011fan\u00fcst\u00fc hakimiyet sinmi\u015f \u015fiirler bunlar. \u2018Tun\u00e7 Ayna\u2019 y\u0131l\u0131n son g\u00fczel \u015fiir \u2018\u015fiir hamlesi\u2019.\u201d <em>H\u00fcrriyet Kitap<\/em><\/p><h5><strong>AHMET YILDIZ:<\/strong><\/h5><p><strong>Kimseye benzemeyen bir Ferruh Tun\u00e7 \u015fiiri.<\/strong><\/p><p>\u201cFerruh Tun\u00e7\u2019un son kitab\u0131 Tun\u00e7 Ayna, doksanlarda egemenlik kuran ve iki binlerin ortalar\u0131na dek s\u00fcrenbizce- \u00e7\u00f6km\u00fc\u015f bir \u015fiir anlay\u0131\u015f\u0131na bir reddiye ayn\u0131 zamanda\u2026 Okuru olduk\u00e7a \u015fa\u015f\u0131rtan kendine \u00f6zg\u00fc, kimseden etkilenmeyen, kimseden tek bir imge bile \u00f6d\u00fcn\u00e7 almayanbu \u015fiir, yap\u0131s\u0131 bak\u0131m\u0131ndan, \u015fiirde \u00f6yk\u00fcy\u00fc\u015fiirde destana kadar ta\u015f\u0131yor. Tun\u00e7 Ayna, her sayfas\u0131 heyecanla a\u00e7\u0131lan, her sayfas\u0131nda insan\u0131 sarho\u015f eden, sonsuz derinliklere u\u00e7uran \u015fiirlerin oldu\u011fu de\u011fi\u015fik bir \u015fiir kitab\u0131\u2026 \u015eairi bu \u015fiirleri yazmaya iten temel neden (dert), dilini ustaca kulland\u0131\u011f\u0131 halk\u0131n ser\u00fcveni ve bu ser\u00fcvenin sundu\u011fuz engin olanaklar\u2026 Deneyimli bir lirizmi var. Ne var ki \u015fair bu lirik ak\u0131\u015f\u0131 durdurmak istiyor. \u00c7o\u011fu \u015fiirin sonunda \u2018gem\u2019i \u00e7ekiyor, Brecht tiyatrosundaki gibi yabanc\u0131la\u015ft\u0131rma \u201cefekt\u201di kullanarak dur diyor\u2026Yan\u0131 ba\u015f\u0131m\u0131zdaki arkada\u015flar\u0131m\u0131zdan, \u201cTurhan\u201ddan \u201cSerhan\u201ddan yola \u00e7\u0131karak onlar\u0131n ya\u015fad\u0131\u011f\u0131 \u00fclkenin \u201cda\u011flar\u201d\u0131na t\u0131rman\u0131yor, b\u00fcy\u00fck bir metafor y\u0131\u011f\u0131n\u0131 halinde da\u011flar\u0131n \u201cbu \u00fclkenin dam\u0131\u201d oldu\u011funu ileri s\u00fcren uzakl\u0131\u011fa dek atl\u0131yor.\u201d <em>Cumhuriyet Kitap, Say\u0131:1195, 10 Ocak 2013<\/em><\/p><h5><strong>CEM\u0130L OKYAY:<\/strong><\/h5><p><strong>K\u00fclt\u00fcrel ve Antropolojik okuman\u0131n sundu\u011fu olanaklar<\/strong><\/p><p>Ferruh Tun\u00e7\u2019un \u201cTun\u00e7 Ayna\u201d(*) \u015fiirleri i\u00e7inde yer alan ikinci kitap\u00a0T\u00fcrk\u00e2n\u2019da yer alan \u015fiirleri bu (k\u00fclt\u00fcrel ve antropolojik) bak\u0131mdan odaksal olarak ele ald\u0131\u011f\u0131m\u0131zda bir \u015feyleri \u0131skalad\u0131\u011f\u0131m\u0131z\u0131 ya da bir \u015feyleri ihmal etti\u011fimizi ayr\u0131msamakta, kendimizi \u015fairin bizi d\u00fc\u015f\u00fcnd\u00fcrmeye iten sorular\u0131 ve an\u0131msatmalar\u0131 kar\u015f\u0131s\u0131nda bulmaktay\u0131z.\u00a0\u00a0<\/p><p><em>Yaz\u0131n\u0131n tamam\u0131 i\u00e7in: <\/em><\/p><p><a href=\"https:\/\/www.gercekedebiyat.com\/haber\/2707-3343.html\"><em>https:\/\/www.gercekedebiyat.com\/haber\/2707-3343.html<\/em><\/a><\/p><p><em>Ferruh Tun\u00e7 \u015fiirine &#8216;T\u00fcrk\u00e2n&#8217;la k\u00fclt\u00fcrel ve antropolojik bir bak\u0131\u015f \/ Cemil Okyay<\/em><\/p><\/div>\n\t\t\t\t\t\t\t\t\t<div class=\"elementor-tab-title elementor-tab-mobile-title\" aria-selected=\"false\" data-tab=\"3\" role=\"tab\" tabindex=\"-1\" aria-controls=\"elementor-tab-content-1443\" aria-expanded=\"false\">MELEZ ZAMANLAR<\/div>\n\t\t\t\t\t<div id=\"elementor-tab-content-1443\" class=\"elementor-tab-content elementor-clearfix\" data-tab=\"3\" role=\"tabpanel\" aria-labelledby=\"elementor-tab-title-1443\" tabindex=\"0\" hidden=\"hidden\"><h5><strong>CEVAT \u00c7APAN: <\/strong><\/h5><p><strong>Geni\u015fleyen bir \u015fiir s\u00f6zl\u00fc\u011f\u00fc\u2026<\/strong><\/p><p>\u00a0\u201cBu konu hakk\u0131nda konu\u015fanlar \u015fiirsel s\u00f6zl\u00fc\u011f\u00fcn biraz dar oldu\u011funu d\u00fc\u015f\u00fcn\u00fcrler. Her s\u00f6zc\u00fc\u011f\u00fcn o s\u00f6zl\u00fc\u011fe giremeyece\u011fi korkusu i\u00e7indedirler. Ama h\u0131zla de\u011fi\u015fen zaman her \u015feyi o kadar korkun\u00e7 bir \u015fekilde de\u011fi\u015ftirmektedir ki bu karma\u015f\u0131k ya\u015fant\u0131y\u0131 ancak geni\u015fleyen bir \u015fiir s\u00f6zl\u00fc\u011f\u00fc ile dile getirebilirsiniz. Tun\u00e7 bu ba\u015far\u0131lmas\u0131 g\u00fc\u00e7 i\u015fi ustal\u0131kla ba\u015fard\u0131\u011f\u0131 i\u00e7in bu \u00f6d\u00fcle de\u011fer g\u00f6r\u00fcld\u00fc.\u201d <em>2011 Beh\u00e7et Necatigil \u00d6d\u00fcl t\u00f6reni konu\u015fmas\u0131ndan, Cumhuriyet<\/em><\/p><p><strong>Hayranl\u0131k uyand\u0131ran bir lirizm ve ironi\u2026<\/strong><\/p><p>\u201cFerruh Tun\u00e7, karma\u015f\u0131k ve par\u00e7alanm\u0131\u015f bir d\u00fcnyay\u0131 ve onun bir bukelemun gibi durmadan bi\u00e7imden bi\u00e7ime giren canl\u0131 ve cans\u0131z varl\u0131klar\u0131n\u0131, ya\u015fad\u0131\u011f\u0131m\u0131z \u00e7a\u011fa \u00f6zg\u00fc \u00e7arp\u0131c\u0131 imgeler, ezgisel zenginlik ta\u015f\u0131yan bir ritm d\u00fczeni ve hayranl\u0131k uyand\u0131ran bir lirizm ve ironiyle yans\u0131tmay\u0131 ba\u015far\u0131yor\u201d <em>Kitap arka kapak yaz\u0131s\u0131<\/em><\/p><h5><strong>TURGAY F\u0130\u015eEK\u00c7\u0130:<\/strong><\/h5><p><strong>G\u00fcn\u00fcm\u00fcz \u015fiirinin tarihi yaz\u0131l\u0131rken \u00f6zel bir yer tutacak<\/strong><\/p><p>\u201cG\u00fcn\u00fcm\u00fcz \u015fiirinin tarihi yaz\u0131l\u0131rken Melez Zamanlar\u2019\u0131n \u00f6zel bir yer tutaca\u011f\u0131na inan\u0131yorum. G\u00fcn\u00fcm\u00fcz \u015fiirinde art\u0131k neredeyse unutulan bir yan\u0131 \u00f6ne \u00e7\u0131kararak do\u011frudan bug\u00fcn\u00fcn d\u00fcnyas\u0131n\u0131n \u00e7eli\u015fkileri ve \u00e7\u00f6k\u00fc\u015f\u00fcn\u00fc konu alan \u015fiirlerden olu\u015fuyor bu yap\u0131t.<\/p><p>Ya\u015fad\u0131\u011f\u0131m\u0131z \u00e7a\u011fa \u00f6zg\u00fc \u00e7arp\u0131c\u0131 imgeleri, lirizm ve ironi ile yans\u0131t\u0131yor.<\/p><p>\u015eiirin bir \u00fclkenin vicdan\u0131 olabilece\u011fini yeniden an\u0131msat\u0131yor.<em> Cumhuriyet, 16.03.2011<\/em><\/p><h5><strong>DO\u011eAN HIZLAN:<\/strong><\/h5><p><strong>G\u00fcncelin \u015fiirini y\u00fczeysel yazmayan\u2026<\/strong><\/p><p>\u201cFerruh Tun\u00e7\u2019un \u015fiirizaman\u0131m\u0131z\u0131n karga\u015fas\u0131na, kaba saptamalarla, kat\u0131 bir ger\u00e7ek\u00e7ilikle yans\u0131tm\u0131yor. \u015eiirin ilkelerini g\u00f6z \u00f6n\u00fcnde bulundurarak, bunu bir ironi s\u00fczgecinden ge\u00e7iriyor. G\u00fcn\u00fcm\u00fcz \u015fairi, g\u00fcn\u00fcm\u00fcz\u00fcn engebeleri i\u00e7inde s\u00fcrd\u00fcrd\u00fc\u011f\u00fcm\u00fcz ya\u015fam\u0131n izd\u00fc\u015f\u00fcm\u011fn\u00fc lirik bir anlay\u0131\u015fla yans\u0131t\u0131yor. San\u0131r\u0131m okurlar bu \u00f6d\u00fclle, g\u00fcncelin \u015fiirni y\u00fczeysel yazmayan bir \u015fairi tan\u0131yacaklar.\u201d <em>H\u00fcrriyet, 6 Nisan 2011<\/em><\/p><h5><em>\u00a0<\/em><strong>MUSTAFA \u015eER\u0130F ONARAN:<\/strong><\/h5><p><strong>Dilin yeniden yap\u0131lanmas\u0131\u2026<\/strong><\/p><p>\u201cFerruh tun\u00e7\u2019un \u015fiirleri; \u015fa\u015f\u0131rt\u0131c\u0131 bir \u00f6fke, bir alaysamayla topluma bakmam\u0131z\u0131 ister gibidir\u2026 Ferruh tun\u00e7, bir etkinlik olarak bak\u0131yor \u015fiire. \u201c Araya reklam girmeyen s\u00f6z h\u00fck\u00fcms\u00fczm\u00fc\u015f \u201c derken kendini \u00f6nemsetmek isteyen ozanalr\u0131n gereksiz \u00e7abalar\u0131na g\u00fcl\u00fcms\u00fcyor\u2026 \u015eiirinde her zamanki al\u0131\u015fkanl\u0131klar\u0131m\u0131z \u015fa\u015f\u0131rt\u0131c\u0131 ger\u00e7eklere d\u00f6n\u00fc\u015f\u00fcyor\u2026 Melez Zamanlar\u0131 anlatmak kolay de\u011fil. Dilin yeniden yap\u0131lanmas\u0131 gerek. \u201c Cumhuriyet Kitap, Say\u0131: 1102<\/p><h5><strong>G\u00dcLTEK\u0130N EMRE:<\/strong><\/h5><p><strong>Yaz\u0131lmayan \u015fiirler\u2026<\/strong><\/p><p>Melez Zamanlar\u2019da Ferruh un\u00e7, \u015fiir dilini farkl\u0131 bir kulvarda s\u00fcrd\u00fcr\u00fcyor; \u00f6zg\u00fcnl\u00fc\u011f\u00fc de burada onun \u015fiirlerinin\u2026 Yaz\u0131lmayan \u015fiirler yaz\u0131yor, kimsenin de\u011finmedi\u011fi konulara, durumlara, ya\u015fanm\u0131\u015fl\u0131klara de\u011finiyor&#8230; De\u011fi\u015fik co\u011frafyalarda gezinen,fiziki co\u011frafyas\u0131 \u00e7arp\u0131c\u0131, farkl\u0131 \u015fiirlerden olu\u015fuyor Melez Zamanlar. <em>Akatalpa, Ocak 2011<\/em><\/p><h5><strong>ETHEM AK\u00c7EL\u0130K:<\/strong><\/h5><p><strong>Harold Bloob\u2019a nanik, Paul de Man\u2019a \u00e7a\u011fr\u0131\u2026 \u00a0Unutmaya ve unutturulmaya kar\u015f\u0131\u2026<\/strong><\/p><p>\u201cMelez Zamanlar\u2019da \u0131srarla olay anlat\u0131lmaktad\u0131r, tarih sorgulanmaktad\u0131r, bug\u00fcn \u00f6n\u00fcm\u00fcze konulmaktad\u0131r. Evet, \u201c\u00d6zel\u201d \u015firiinde Aragon vard\u0131r. \u201c Denizin Dibinde Demirden Evler\u201d de Brecht\u2026Bu ola\u011fan\u00fcst\u00fc etkilenme borcunun hat\u0131rlanmas\u0131yla kitab\u0131 evrensel bir \u015fiir bah\u00e7esine d\u00f6n\u00fc\u015ft\u00fcren Ferruh Tun\u00e7, hi\u00e7bir \u201cetkilenme endi\u015fesi\u201d ta\u015f\u0131madan Harol Bloom\u2019a nanik yapmaktad\u0131r. Daha ileri giderek Paul de Mann\u2019\u0131 da yeni \u201cOkuma Alegorilerine\u201d \u00e7a\u011f\u0131rmaktad\u0131r. Hem de hi\u00e7bir dilbazl\u0131k tuza\u011f\u0131na d\u00fc\u015fmeden\u2026 Bu bak\u0131mdan Ferruh (Tun\u00e7), yitirdi\u011fimiz haf\u0131zam\u0131z\u0131 ve akl\u0131m\u0131z\u0131 ar\u0131yor. Ge\u00e7mi\u015fimizi ve unutturulmaya \u00e7al\u0131\u015f\u0131lan\u0131 ar\u0131yor; \u00e7\u00fcnk\u00fc kendini ve bizi orada bulacak. Bu bir arama, bulma ve yeniden yaratma eylemi. Unutmaya ve unutturulmaya kar\u015f\u0131 sanat\u00e7\u0131n\u0131n kar\u015f\u0131 konulamaz ve sonuna kadar hakl\u0131 direni\u015fi.\u201d <em>S\u00f6zc\u00fckler, Say\u0131:30 Mart-Nisan 2011<\/em><\/p><h5><strong>MAHMUT TEM\u0130ZY\u00dcREK:<\/strong><\/h5><p><strong>T\u00fcrk\u00e7e\u2019nin bir kez daha d\u00fcnyay\u0131 ku\u015fatma g\u00fcc\u00fc\u2026 bereketli ilhamlar\u2026<\/strong><\/p><p>\u201c\u015eiir \u00f6ld\u00fc diyenlere \u2018hi\u00e7 olmazsa \u201cMelez Zamanlar\u2019\u0131 okumadan karar vermeyin\u2019 demek isterim. Ferruh Tun\u00e7, bu yeni kitab\u0131nda, T\u00fcrk\u00e7e\u2019nin bir kez daha d\u00fcnyay\u0131 ku\u015fatma g\u00fcc\u00fcn\u00fc icra ediyor. \u015eiirde sonuncu \u00f6rnek.\u00a0 okumadan karar vermeyin\u2026 B\u00fct\u00fcn bir \u00e7ark\u0131n anlamca, ak\u0131lca (s\u00f6zc\u00fckler aras\u0131nda kurulukendili\u011finden ak\u0131l), tince fark\u0131nda olan Tun\u00e7, \u00e7elik a\u00e7rk i\u00e7inde d\u00f6nmedi\u011fine inand\u0131\u011f\u0131 anlardaki parlay\u0131\u015f\u0131n\u0131 \u015fiire yans\u0131tabildi\u011fi i\u00e7in g\u00fc\u00e7l\u00fc ve yepyeni sesiyle gelen bir \u015fair, \u015eiiri entelektin pen\u00e7esinde g\u00f6renlerin bile dikkatini \u00e7ekecek bir yap\u0131t, Melez Zamanlar\u2026 Melez Zamanlar, daha \u00e7ok \u00fczerinde durulacak yenilikler ta\u015f\u0131yor; bereketli ilhamlar getiriyor T\u00fcrk\u00e7eye. <em>Idefix<\/em><\/p><h5><strong>\u0130BRAH\u0130M KARO\u011eLU:<\/strong><\/h5><p><strong>G\u00fcn\u00fcm\u00fcz insan\u0131n\u0131n ironisi ve ku\u015fa\u011f\u0131n\u0131n i\u00e7 hesapla\u015fmas\u0131\u2026<\/strong><\/p><p>Kendini sessizce biriktiren; kendine \u00f6zg\u00fc bir \u015fiir evreni yaratarak hep kendi \u015fiirinin i\u00e7inde duran bir \u015fair\u2026 Yo\u011fun, ritmli, ironik bir \u015fiirin pe\u015finde&#8230;Sahiciliklerini, safl\u0131klar\u0131n\u0131, \u00f6zg\u00fcrl\u00fcklerini, ideallerini yitiren, negatif de\u011ferlerin \u00f6rg\u00fcs\u00fcnde melezle\u015fen, gelgitlerin g\u00f6lgesinde izini yitiren, de\u011fi\u015ferek ba\u015fkas\u0131 olmaya \u00f6zenen g\u00fcn\u00fcm\u00fcz insan\u0131n\u0131n ironisini ve kendi ku\u015fa\u011f\u0131n\u0131n i\u00e7sel hesapla\u015fmas\u0131n\u0131 sunuyor \u015fiirlerinde\u2026 Ya\u015famla aram\u0131zdaki kar\u015f\u0131l\u0131kl\u0131 yabanc\u0131la\u015fmay\u0131, yan\u0131lsamalar\u0131n bozucu etkisini, tutkular\u0131ndan ar\u0131nm\u0131\u015f, d\u00fc\u015fleri yoksunla\u015fm\u0131\u015f bireylerin i\u00e7 ger\u00e7ekli\u011fini sorguluyor durmadan. \u00c7arp\u0131c\u0131, \u015fa\u015f\u0131rt\u0131c\u0131, k\u0131\u015fk\u0131rt\u0131c\u0131 \u015fiirlerin atlas\u0131 \u201cMelez Zamanlar\u201d\u2026 En \u00e7ok da insan\u0131n insana yolculu\u011funun seyir defteri. <em>H\u00fcrriyet Ankara, 15 Nisan 2011<\/em><\/p><h5><strong>ERAY SARI\u00c7AM:<br \/><\/strong><\/h5><p><strong>\u015eemsiyenin d\u0131\u015f\u0131nda olmak, kendi \u015fiirini yazmak\u2026<\/strong><\/p><p>\u201cA\u00e7\u0131k\u00e7as\u0131\u00a0Melez Zamanlar, siyasi \u015fiirin nas\u0131l yaz\u0131labilece\u011fine dair, benim gibi gen\u00e7 \u015fairlere ders diye okutulacak bir kitap! Soyut imgeler yerine somut imgeleri, slogan yerine \u00e7a\u011fr\u0131\u015f\u0131mlar\u0131 ve basit kelime oyunlar\u0131 yerine, daha ziyade, sol siyasal gelene\u011fin alt metni olu\u015fturdu\u011fu telmih sanat\u0131n\u0131 ye\u011fliyor Ferruh Tun\u00e7. Yani do\u011fru yerlere veriyor s\u0131rt\u0131n\u0131\u2026 Kan\u0131mca Ferruh\u00a0Tun\u00e7\u2019un \u015eehrin Eski Yolcusu\u2019ndan,\u00a0Bir C\u00fcmle Olmaya Geldim\u2019e kadarki neredeyse t\u00fcm ba\u015far\u0131s\u0131n\u0131n alt\u0131nda, aya\u011f\u0131n\u0131, \u201ctarih\u201dten bir an olsun kald\u0131rmamas\u0131 yat\u0131yor\u2026.\u00a0Tun\u00e7 \u015fiirinin takip\u00e7ileri, daha ziyade belli bir geli\u015fim d\u00fczeyine varm\u0131\u015f \u201cak\u0131ll\u0131 okuyucular\u201dd\u0131r. Poetik bir tutum bu: \u015eemsiyenin d\u0131\u015f\u0131nda olmak, kendi \u015fiirini yazmak\u2026 Hatta bug\u00fcn g\u00fcndemde olan t\u00fcm kuramsal meselelerin \u00f6tesinde bir \u015fiir bu. Hi\u00e7bir ak\u0131mla &#8220;do\u011frudan&#8221; bir akrabal\u0131\u011f\u0131 yok. Bu y\u00fczden \u201ckendi\u201d \u015fiiri. Cemal S\u00fcreya, \u201cK\u0131z\u0131l\u0131rmak K\u0131y\u0131lar\u0131\u201dn\u0131n salt Faz\u0131l H\u00fcsn\u00fc\u2019ye ait olmas\u0131ndan dolay\u0131 bir g\u00fczellik kazand\u0131\u011f\u0131n\u0131 s\u00f6yler. Ayn\u0131 \u015feyi Ferruh Tun\u00e7 \u201cMevsim \u0130ndirimi\u201d \u015fiiri i\u00e7in de d\u00fc\u015f\u00fcnebiliriz.\u00a0\u00a0\u201c<\/p><p><em>Yaz\u0131n\u0131n. Tamam\u0131 i\u00e7in: Eray Sar\u0131\u00e7am<\/em><\/p><p><em><a href=\"https:\/\/edebistan.com\/deneme\/melez-zamanlar-in-ironik-sairi-ferruh-tunc\">https:\/\/edebistan.com\/deneme\/melez-zamanlar-in-ironik-sairi-ferruh-tunc<\/a><\/em><\/p><\/div>\n\t\t\t\t\t\t\t\t\t<div class=\"elementor-tab-title elementor-tab-mobile-title\" aria-selected=\"false\" data-tab=\"4\" role=\"tab\" tabindex=\"-1\" aria-controls=\"elementor-tab-content-1444\" aria-expanded=\"false\">\u015eEHR\u0130N ESK\u0130 YOLCUSU<\/div>\n\t\t\t\t\t<div id=\"elementor-tab-content-1444\" class=\"elementor-tab-content elementor-clearfix\" data-tab=\"4\" role=\"tabpanel\" aria-labelledby=\"elementor-tab-title-1444\" tabindex=\"0\" hidden=\"hidden\"><h5><strong>AHMET ERHAN: <\/strong><\/h5><p><strong>New York\u2019tan \u00c7in Seddi\u2019ne, otuz sekiz ya\u015f\u0131nda \u00e7\u0131kan bu ilk kitab\u0131 bize Ferruh Tun\u00e7\u2019u anlat\u0131yor.<\/strong><\/p><p>\u201cT\u00fcrkiye \u015fiirinin 1975\u2019ten sonra en b\u00fcy\u00fck at\u0131l\u0131m\u0131n\u0131 yapt\u0131\u011f\u0131 ve bu ba\u015fkald\u0131r\u0131n\u0131n as\u0131l meyve erinin bug\u00fcn al\u0131nd\u0131\u011f\u0131n\u0131, kimi at g\u00f6zl\u00fc\u011f\u00fc sahipleri taraf\u0131ndan g\u00f6r\u00fclmemi\u015f olabilir; g\u00f6r\u00fclmemi\u015ftir\u2026 Ama \u015fiir hep y\u00fcr\u00fcd\u00fc.<\/p><p>Ferruh Tun\u00e7\u2026 Bu y\u00fcr\u00fcyenlerden biri\u2026 Geciken dervi\u015f. Erken bat\u0131l\u0131, sonradan \u015faman. \u015eiirinin arka soka\u011f\u0131nda T\u00fcrkl\u00fc\u011f\u00fcn\u00fc ar\u0131yor; yaln\u0131zl\u0131\u011f\u0131 b\u00fcy\u00fck olas\u0131l\u0131kla bu y\u00fczden. Buna ra\u011fmen d\u00fcnyayla bu kadar ilgili, d\u00fcnyaya bu kadar a\u00e7\u0131k olmas\u0131 bir \u00e7eli\u015fki olarak g\u00f6r\u00fclebilir. Ancak bu k\u00fclt\u00fcr\u00fcn yerlisi oldu\u011fu yazd\u0131klar\u0131nda var\u2026 \u015eehirde, herhangi bir masada bozk\u0131r\u0131 d\u00fc\u015f\u00fcnebiliyor bu y\u00fczden. Asena\u2019n\u0131n memelerini emiyorken, modernli\u011fin b\u00fct\u00fcn nimetlerinden yararlan\u0131yor\u2026Devrimcili\u011fin bir hayat \u00e7izgisi oldu\u011funun bilincinde. Beki bir zamanlar ba\u011f\u0131rm\u0131\u015f; \u015fimdi bir aysberg olma d\u00fc\u015f\u00fcncesinde, ama kendi \u00e7evresinde hep ate\u015f yak\u0131yor\u2026 \u00d6mr\u00fcm\u00fcz\u00fcn bat\u0131l\u0131 m\u0131 bat\u0131l m\u0131 oldu\u011funu ay\u0131rt edemedi\u011fimiz g\u00fcnlerin o\u011flu\u2026 \u015eiir y\u00fcr\u00fcyor. Okuyun bu kitab\u0131.<\/p><p>\u201c\u00dcst\u00fcne k\u00fcrdili \u00e7ocuklu\u011fun<\/p><p>\u00dcst\u00fcne hicazkar olgunlu\u011fun\u201d Cumhuriyet<em> Kitap, Say\u0131: 288, 24 A\u011fustos 1995<\/em><\/p><h5><strong>H\u00dcSEY\u0130N FERHAD:<\/strong><\/h5><p><strong>\u0130nsanlar benzerlerini ararlar\u2026<\/strong><\/p><p>\u2026 \u0130nsanlar benzerlerini ararlar, tarih boyunca hep benzerlerini aram\u0131\u015flard\u0131r, ben de Ferruh Tun\u00e7\u2019u aray\u0131p buldum. Hayata ve varolu\u015fa ili\u015fkin d\u00fc\u015flerini, d\u00fc\u015f\u00fcncelerini antik\/arkaik enstantanelerle s\u00fcsleyerek aktard\u0131\u011f\u0131 \u015fiirlerini saf bir co\u015fkuyla okudum, hayal perilerinin elinden tuttum. Mi\u015f\u2019li ve di\u2019li ge\u00e7mi\u015f zamanlar\u0131n, onulmaz yaln\u0131zl\u0131\u011f\u0131n, g\u00f6rece \u00fcmidin, vaa dedilmi\u015f gelece\u011fin, zifir ac\u0131n\u0131n dinsel\/feodal kavram ve terimlerle birbirine \u00f6r\u00fcl\u00fc\u015f\u00fcn\u00fc, \u015fimdi\u2019ye indirgeni\u015fini g\u0131ptayla g\u00f6rd\u00fcm, et\u00fcd ettim. S\u00fcrprizlere haz\u0131rl\u0131kl\u0131 oldu\u011fum halde, tuhaf, tarifi imkans\u0131z bir n\u00f6bete, transa kap\u0131lmaktan kendimi alamad\u0131m. Ne yalan s\u00f6yleyeyim, Ferruh Tun\u00e7\u2019un <em>\u015eehrin Eski Yolcusu<\/em>\u00a0 ad\u0131 alt\u0131nda toplad\u0131\u011f\u0131 bu \u201cy\u0131r\u201dlar, bu \u201dkehanet\u201dler benim r\u00fcyas\u0131na yatt\u0131\u011f\u0131m \u015fiirlerdi. \u00d6zellikle \u201cKente \u0130nmi\u015f <em>Di\u015fi Kurt Yavrusu\u201d<\/em> ve \u201c<em>Asena\u2019n\u0131n K\u00fclleri<\/em>\u201d, sessizli\u011fin tarihinin, T\u00fcrklerin gizli, egzotik, handiyse \u2018mahrem\u2019 say\u0131labilecek ser\u00fcvenlerinin modern s\u00f6yleme nas\u0131l ta\u015f\u0131nabilece\u011fini tan\u0131tlar gibiydi.\u201d <em>\u015eiir-lik, Say\u0131: 26, Nisan 1996<\/em><\/p><h5><strong>H\u0130LM\u0130 HA\u015eAL: <\/strong><\/h5><p><strong>Bize benzeyen, tedirgin ve hep arayan yolcu\u2026<\/strong><\/p><p>\u2026<\/p><p>Yasemin yinelenmezli\u011fi \u00fczerine yo\u011funla\u015ft\u0131r\u0131yor izle\u011fini. De\u011fi\u015ftirilemeyecek y\u00f6n, y\u0131k\u0131lamayacak duvar, atlanamayacak hendek, t\u0131rman\u0131lamayacak yar \u00f6n\u00fcnde d\u00fc\u015f\u00fcnmeye b\u0131rak\u0131yor sanki \u015fiir okurunu. Sars\u0131yor.<\/p><p>\u2026<\/p><p>Kentlili\u011fi ile uzla\u015fm\u0131\u015f, d\u00fcn defteri ile muhasebesi a\u00e7\u0131k kalm\u0131\u015f, yar\u0131n\u0131n umutsuzluk (daha \u00e7ok belirsizlik) \u201catmosferi\u201d i\u00e7inde umars\u0131zl\u0131kla sava\u015faca\u011f\u0131n\u0131 benimsemi\u015f bir insano\u011flu var kar\u015f\u0131m\u0131zda. B\u015fze benzeyen, tedirgin ve hep arayan yolcu.<\/p><p>\u2026<\/p><p>Kitap, \u201cPasifist \u015eark\u0131\u201ddaki gibi, alabildi\u011fine i\u00e7sel, (lirik) denebilecek yumu\u015fakl\u0131kta akan \u015fiir \u00f6rne\u011fi ile \u201cYarg\u0131\u201d gibi ussal sesleni\u015f i\u00e7eren, so\u011fukkanl\u0131 \u201cYani oldu\u011fundan daha g\u00fczel de\u011fildir hi\u00e7bir \u015fey\u201d ger\u00e7ek\u00e7i saptay\u0131\u015f\u0131yla biten de\u011fi\u015fik \u015fiirlerokumam\u0131za olanak sa\u011fl\u0131yor. G\u00fcnl\u00fc<\/p><p>K kent ya\u015fam\u0131nda ba\u015fa gelebilecek bir\u00e7ok halin \u015fiiri var. Ba\u015fta kayg\u0131n\u0131n; aray\u0131\u015f\u0131n, bekleyi\u015fin, ayr\u0131l\u0131\u011f\u0131n, a\u015fk\u0131n ve \u00f6l\u00fcm\u00fcn. T\u00fcm\u00fcn\u00fcn toplam\u0131nda mutsuzlu\u011fun ve mutlulu\u011fun kum saatinin \u201cbo\u011fumundan\u201d ak\u0131\u015f\u0131n\u0131 seyredercesine kap\u0131lmamak elde de\u011fil. \u00c7\u00fcnk\u00fc ko\u015fullara hepimizin bildi\u011fi, ya\u015fay\u0131p duyumsad\u0131\u011f\u0131 kayg\u0131lar penceresinden bak\u0131yor. VE bir \u00e7o\u011fumuzun yapamad\u0131\u011f\u0131n\u0131 yap\u0131yor: Sab\u0131rla bu\u011fusunu siliyor, bunal\u0131m bu\u011fusunu o pencerenin. G\u00f6r\u00fcnt\u00fcy\u00fc ayd\u0131n istiyor, p\u00fcr\u00fczs\u00fcz ve katlanmaya de\u011fer dirim\u2019lik ad\u0131na.<\/p><p>\u2026<\/p><p>Ana d\u00fc\u015f\u00fcnce sanki seyir hali.<\/p><p>\u2026<\/p><p>\u015eehrin Eski Yolcusu\u2019yla Ferruh Tun\u00e7 \u015fiirindeki felsefe, d\u00fc\u015f\u00fcncenin dip ve u\u00e7 dalgalar\u0131yla var olmay\u0131 doyumsuz anlamlar labirenti haline getiriyor. Yeniden okunacak, gitmekle ya\u015fam\u0131n bitmedi\u011fini savunan dizelerle. \u00a0<em>Milliyet Sanat, Say\u0131:368, 15 Eyl\u00fcl 1995<\/em><\/p><p><em>\u00a0<\/em><\/p><h5><strong>G\u00d6KHAN CENG\u0130ZKAN: <\/strong><\/h5><p><strong>Bu \u00fclke bireyinin \u015fiiri\u2026 Kollektif ve bireysel hayatlar\u0131m\u0131z\u2026<\/strong><\/p><p>\u201cFerruh Tun\u00e7\u2019un \u015fiiri dili feti\u015fle\u015ftiren e\u011filimlere bir yan\u0131t olarak okunabilir\u2026 Duru, yal\u0131n ve dingin bir anlat\u0131m egemen \u015fiirlerine. Son zamanlar \u015fiir topluluklar\u0131na egemen oldu\u011fu gibi, \u015fiire \u00f6zel bir mistisizm y\u00fcklemiyor\u2026 Tun\u00e7, bireyin \u015fiirini yaz\u0131yor, fakat \u015fiir i\u00e7in tasarlanm\u0131\u015f bir kurgu bireyin de\u011fil. \u00c7\u00f6zmekten \u00e7ok ta\u015f\u0131may\u0131 ye\u011fledi\u011fi bir bilmecesi olan bu \u00fclke bireyinin \u015fiiri\u2026 \u015eiirlerinde tek bir hayat alan\u0131 yok. B\u00fct\u00fcn ku\u015fat\u0131lm\u0131\u015fl\u0131\u011f\u0131 ile kollektif ve bireysel hayatlar\u0131m\u0131z var. \u015eehrin Eski Yolcusu erdemleri fazla olan bir kitap. <em>Ayd\u0131nl\u0131k, 30 Aral\u0131k 1995<\/em><\/p><\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>Ne Dediler B\u0130R C\u00dcMLE OLMAYA GELD\u0130M TUN\u00c7 AYNA MELEZ ZAMANLAR \u015eEHR\u0130N ESK\u0130 YOLCUSU B\u0130R C\u00dcMLE OLMAYA GELD\u0130M AHMET TELL\u0130: \u00d6zg\u00fcn olmaktan taviz vermeyen, zaman ve&#8230;<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"template-elementor-builder.php","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"class_list":["post-3484","page","type-page","status-publish","hentry"],"acf":[],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/ferruhtunc.org\/index.php\/wp-json\/wp\/v2\/pages\/3484","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ferruhtunc.org\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/ferruhtunc.org\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/ferruhtunc.org\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/ferruhtunc.org\/index.php\/wp-json\/wp\/v2\/comments?post=3484"}],"version-history":[{"count":64,"href":"https:\/\/ferruhtunc.org\/index.php\/wp-json\/wp\/v2\/pages\/3484\/revisions"}],"predecessor-version":[{"id":3653,"href":"https:\/\/ferruhtunc.org\/index.php\/wp-json\/wp\/v2\/pages\/3484\/revisions\/3653"}],"wp:attachment":[{"href":"https:\/\/ferruhtunc.org\/index.php\/wp-json\/wp\/v2\/media?parent=3484"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}